[2023]

[2022]

  • Clockwork Voltage event, Ljubljana, 22 December 2022
  • DIY electronics workshop Tentacles for Electromagnetic Field, organised by Projekt Atol, @Rampa Lab, 20–22 December 2022
  • JataC, ICEmeltings, 6-channel sound installation, Steklenik Gallery at Botanical Garden Villa Mirasasso, Sežana, Slovenia, 2 December 2022 – 28 February 2023
  • beepblip, concert, Crawl Space, Den Haag, 16 December 2022 (on SoundCloud)
  • Book editor, Glossary of Common Knowledge, Vol. 2, edited by Ida Hiršenfelder, curated by Zdenka Badovinac, Jesús Carillo, Bojana Piškur and Ida Hiršenfelder, published by Moderna galerija (MG+MSUM), Ljubljana and L’Internationale, 2022. ISBN 978-961-206-153-1
  • Estranged, a sound-walk on Echos by Yaara Yaniv and Ida Hiršenfelder, Den Haag (NL), since 26 November 2022
  • Jata C group (beepblip, OR poesis, Boštjan Perovšek, Bojana Šaljić Podešva, Brane Zorman), Chronolith, Sonic research of stones, sound installation, @Parallel Soundscapes event, Kino Šiška, Ljubljana, 17–18 November 2022
  • Jata C: Chronolith installation & concert @Motions: Experimental Sound Events, organised by KONTEJNER – Bureau of Contemporary Art Praxis, curated by Davorka Begović, Museum of Contemporary Art MSU, Zagreb, Croatia, 9–13 November 2022
  • DIY electronics workshop Tentacles for Electromagnetic Field, organised by Rampa Laboratory, 14–15 November 2022
  • Jata C group (beepblip, OR poesis, Boštjan Perovšek, Bojana Šaljić Podešva, Brane Zorman), Chronolith, Sonic research of stones, concert, Internationa Festival of Computer Arts, Maribor, 14 October 2022
  • Sound Walk by Bureau des guides – GR 2013, Remembering a Tree in-situ performance, Acoustic Commons Festival, @LOCUS SONUS & École supérieure d’art d’Aix-en-Provence, France, produced by Cona Institute, 8 October 2022
  • Snježana Premuš and Anja Bornšek, TOUCH TISSUE FABRIC, sound design for a contemporary dance performance, produced by Zavod Federacija, @Minorith Church, Maribor, 3 October 2022
  • In defence of Immersive Experience. On the Role of Sound in Multimedia Installations, text, edit. Luka Zagoričnik, in: Dialogi Magazine, September 2022
  • Lecture at Archive of Commons, Digitizing in Common: Distributed Forms of Cultural Property and Authorship, Centro Cultural de España & Centro Multimedia, Mexico City (MX), 22 September 2022
  • An ambisonic piece from the OTTOsonics Residency (Alter Bauhof) @OTTOsonics Festival, Ottensheim (AT), 17 September 2022
  • Concert – live electronics, @Sound Explicit Festival, curated by Boštjan Simon, Cukrarna, Ljubljana, 14 September 2022
  • Simulation of Modular Synthesis, workshop on VCV rack and modular synthesis, Modul@rnice series, organised by Projekt Atol, Ljubljana, 31 August – 1 September 2022
  • Jata C group (beepblip, OR poesis, Boštjan Perovšek, Bojana Šaljić Podešva, Brane Zorman), Chronolith, Sonic research of stones, concert: 30 August 2022 (Švicarija, Ljubljana)
  • Text, “Testimonial and Material Evidence”, Ena Hodžić, Olga Majcen Linn, Jurica Mlinarec, Luja Šimunović, ed. Arc-hive. Case Studies and Life as an Object. Zagreb: Kontejner (2022). Produced by Cultivamos Cultura ArcHIVE, 25 August 2022
  • Bučení Festival 5, organised by Přespolní, Lubné u Poličky (CZ), 19–20 August 2022
  • beepblip track and liner notes, sound compilation Access Frame: Colony, published @Kamizdat, Ljubljana, 14 July 2022
  • impro session with AIM Association for Improvised Music (Tisa Neža Herlec, Christine Cornwell, Josué Amador, Gonçalo Almeida, Philipp Ernsting), “AIM to Connect”, with Suzana Lascu, Friso van Wijck, Thodoris Ziarkas, Johanna Monk, Agota Tamelyte, Dorota Matejova, Ida Hiršenfelder, Hugo Costa, Asim Halwarvi, Bibi Milanese, Batavierhuis, Rotterdam (NL), 22 June 2022 [audio documentation]
  • OTTOsonics, artist-in-residency, 48-channel sound spatialisation, Alter Bauhof Ottensheim (AT), 5‒12 June 2022
  • Morphoiki, composition, @Wave Field Synthesis Festival, Institute of Sonology, Royal Conservatoire, Amare, Den Haag (NL), 3‒4 June 2022
  • Translating Critterworkshop, part of Master Education in Arts, Learning with the Garden; Learning from the Land @Piet Zwart Institute, Rotterdam (NL), 3 June 2022, at 14:15–15:45
  • Time Displacement / Chemobrionic Garden sound installation at The Beauty of Early Life group exhibition, ZKM | Center for Art and Media in cooperation with the State Museum of Natural History, Karlsruhe, curated by Peter Weibel and Norbert Lenz with Eduard Harms, Philipp Ziegler, Hannah Jung, Karlsruhe (DE), 25 March ‒ 10 July 2022 (brochure)
  • jam session series sublimating networks, vol. 7, curated by Suzana Lașcu, (participants: beepblip, Milena Khalil, Suzana Lașcu, Hugo Lioret, Leslie Smucker) @Radio WORM, Rotterdam (NL), 22 April 2022
  • seminar, Glossary of Common Knowledge / Constituencies II, Van Abbemuseum, Eindhoven, 7–9 April 2022
  • Nomad Dance Academy, archive development, Berlin (DE), 11–13 March 2022
  • beepblip, DIY electronics workshop Tentacles for Electromagnetic Field, Ljudmila Art and Science Laboratory, commissioned by KonS – Platform for Contemporary Investigative Art, Ljubljana, 25‒26 February 2022
  • “Testimonial and Material Evidence” lecture at Life as an Object, [Arc-HIVE] symposium, Kapelica Gallery, Ljubljana, 17‒18 February 2022
  • Sound Socioecology. The case of Cona and Cirkulacija 2, Narobe reader published by Zavod Sploh, text, February 2022
  • Acoustic Commons Zine, text commissioned by Cona Institute, January 2022

[2021]

[2020]

[2019]

[2018]

  • Responsive installation Sonoseismic Earth with Saša Spačal, presented at Device_art 6.018 festival group exhibition, organised by KONTEJNER | bureau of contemporary art praxis, @MSU – Museum of Contemporary Art, Zagreb, Croatia, 6 December 2018 – 3 February 2019
  • Video lecture, Chronicles of Terraforming the Planet Earth, at Intra_fluks symposium of the solo exhibition of Saša Spačal: Earthlink, Vžigalica Gallery, 7 November 2018, 12 min
  • Lecture, Expanding Spaces. Early Computer Art in Slovenia, @Osmo/ZA, Vectorhack Festival, 6 October 2018
  • Professional associate at Transfer | Circuits Archival exhibition with guided tours & online exhibition, curated by Lenka Đorojević and Alja Lobnik, organised by City of Women, Old Power Station / entrance hall, supported by Moderna galerija (Web Museum) Ljubljana, Slovenia, 5–14 October 2018
  • beepblip track on sound compilation Access Frame: Collectivity. What is the frame through which we are allowed, and able, to access culture?, published @Kamizdat, Ljubljana, 14 July 2018
  • beepblip sound performance AMonFM – SDR, @AMRO – Art Meets Radical Openness festival, Stadtwerkstatt, Linz, Austria, 19 May 2018
  • Editor of the Glossary of Common Knowledge, book launch, Museum of Contemporary Art Metelkova, +MSUM, 14 May 2018
  • Responsive sound installation with Robertina Šebjanič and Aleš Hieng – Zergon, Time displacement / Chemobrionic Garden, esc – medien kunst labor, Graz, Austria, 4 May – 29 July 2018
  • Book editor, Glossary of Common Knowledge, edited by Ida Hiršenfelder and curated by Zdenka Badovinac, Jesús Carillo, Bojana Piškur and Ida Hiršenfelder, published by Moderna galerija (MG+MSUM), Ljubljana and L’Internationale, April 2018. ISBN 978-961-206-132-6
  • Responsive installation Sonoseismic Earth with Saša Spačal, presented at Futurology group exhibition, curated by Nadja Zgonik, @City Gallery of Nova Gorica, Slovenia, 9–30 March 2018
  • Curator of a solo exhibition by Robertina Šebjanič, Piscis ludicrous / Transfixed Gaze (Lygophilia), @MSUM, Museum of Contemporary Art Metelkova, Ljubljana, Slovenia 15 February 2018 – 15 April 2018
  • beepblip, AMonFM / SDR, sound performans Winter Exor:cism, in collaboration with Amper-o-mat, beepblip, OR poiesis, Boštjan Perovšek, Bojana Šaljič Podešva, Brane Zorman, organised by Zavod Cona, @Kino Šiška, 13 February 2018

[2017]

  • Text, Boštjan Čadež: PD4, VR installation, Aksioma – Institute for Contemporary Art, Ljubljana, 19 December 2017 – 5 January 2018
  • Co-curator of annual ČIPke initiative exhibition, Threads, RAMPA Lab, 18 December 2017
  • Text, “Zgodovina medsebojnih naklonjenosti [History of Mutual Inclinations]”, in Katja Čičigoj and Jasmina Založnik edit., Zakaj feminizem danes? [Why Feminism Today], Dialogi, No. 11-12, year 2017, Ljubljana: Aristej Press
  • Round table discussion, Digital Princesses and Cyborg Princes, moderated by Agnes Mominski, Kiblix Festival, Maribor, 11 November 2017
  • beepblip, composition, AMonFM::: underground_acceleration, Show 656, radia.fm, 23 October 2017
  • Presentation at a conference, The Archive as a Process. How to Archive Contemporary Performing Arts and Keep Them Alive?, organised by City of Women, Old Power Plant, 14 October 2017
  • Exhibition curator, Pioneers of Computer Art, in the context of MFRU – International Festival of Computer Art, UGM Studio, 6 October 2017
  • beepblip sound performance AMonFM, Slavne neznane [Famous Uknown] series of sound performances, curated by Nina Dragičević, @ŠKUC Gallery, Ljubljana, 1 October 2017
  • Responsive installation, Sonoseismic Earth, in collaboration with Saša Spačal, Speculum Artium Festival, Delavski dom Trbovlje, Trbovlje, 14 – 16 September 2019
  • Review, A Sneak Peek into a Hidden Place, about Iza Pavlina artworks, online publication, Furtherfield, 15 May 2017
  • Responsive sound installation with Robertina Šebjanič and Aleš Hieng – Zergon, Time displacement / Chemobrionic Garden, Simulaker Gallery, Novo Mesto, Slovenia, 5–27 May 2017
  • beepblip podcast, AM_on_FM / sine_wave, @WaveFarm, 8 & 11 March 2017
  • Responsive sound installation with Robertina Šebjanič and Aleš Hieng – Zergon, Time displacement / Chemobrionic Garden, [KONTEJNER.org], Pogon Jedinstvo, Močvara Club, Zagreb, Croatia, 20–22 March 2017
  • Screening of documentary film, Flow, directors: Ana Čigon, Ida Hiršenfelder, Saša Spačak, 5th Deuje babe Festival, Idrija Theatre, 8 March 2017
  • Theremidi Orchestra workshop, Super-in-Low, @Rampa Lab, Initiative for Women with a Sense for Technology, Science and Art, 13 February 2017
  • Responsive installation, Sonoseismic Earth, in collaboration with Saša Spačal, Aksioma Project Space, 22 February – 10 March 2017
  • AV performance, Noisetrails TakeOff, Theremidi Orchestra feat. Wolfgang Spahn & Nahum, in the context of transmediale/CTM Vorspiel 2017, Spektrum Art Technology Community, Berlin, 1 February 2017

[2016]

[2015]

  • Responsive sound installation with Robertina Šebjanič and Aleš Hieng – Zergon, Time displacement / Chemobrionic Garden, Aksioma Project Space, Ljubljana, Slovenia, 17–19 December 2015
  • ČIPke Initiative for women with a sense for technology, science and art, Final Exhibition, Rampa Lab, 11 December, 2015
  • Theremidi Orchestra: Audio Visual Jam, performance at Biennial of Independent Illustration, Marmelada Serious, Kino Šiška, Ljubljana, 10–15 November 2015
  • Stone, sonoseismic memory, media art installation, in co-authorship with Saša Spačal, Producer: Kibla, 7–10 October, 2015; special event 16 July 2015
  • Theremidi Orchestra: Noise Roots, performance at ZNFI – Zagorje Noise Fest International, Trbovlje Mine, 5–6 June 2015
  • Image Snatchers, Techno Burlesqure, @ Gromka Theatre, on City of Women Festival, 15 October 2015
  • Theremidi Orchestra performance, residency: workshop and performance at ARTos, Nicosia, Cyprus, April, 2015
  • beepblip sound performance Hexahive, Medea Electronique – Electric Nights, Athens, Greece, 3rd to 4th April, 2015
  • Artist talk and exhibition, Sanela Jahić: Produktivna razmerja med človekom in strojem, curator: Ida Hiršenfelder, SCCA-Ljubljana, Project Room, 11th to 20th February, 2015, Ljubljana
  • Guided tour, Marko Batista, Začasni objekti in hibridni prostori, curator: Andreja Hribernik, UGM Studio, Trg Leona Štuklja 2, Maribor, Aksioma Production from 30th January, 2014, presentation of book by Jurij Krpan, Andreja Hribernik, Ida Hiršenfelder, Luka Zagoričnik: Marko Batista: Temporary Objects Hybrid Ambients
  • ČIPke: How to say something about what you are doing?, Saša Spačal and Ida Hiršenfelder, workshop on writing about media art projects, Initiative for women with a sense for technology, science and art, 16th March, 2015
  • Image Snatchers, Techno Burlesqure, @Gromka Theatre, 14 May 2015
  • ČIPke: Borders, Mentor: Keiko Ueneshi, Initiative for women with a sense for technology, science and art, May 2015
  • ČIPke Blender & 3D Printing, Mentor: Nataša Teofilović, in collaboration with RogLab, Initiative for women with a sense for technology, science and art, Final Exhibition, June 2015
  • Image Snatchers, Techno Burlesqure, @Pritličje, 23 April 2015
  • Theremidi Orchestra, Master class workshop on DIY electronics, ARTos, Nicosia, Cyprus, April, 2015
  • Image Snatchers, Techno Burlesqure, @Gromka Theatre, 26 March 2015
  • Seminar curated by Tatiana Bazzichelli: Networked Disruption. Rethinking Oppositions in Art, Hacktivism and Business, final round table discussion, Aksioma Production, venue: Kino Šiška, Ljubljana, 11th, 12th March, 2015
  • Lenka Đorojević: Cum Panoptici, media art installation, Production: Gulag, Producer: Jana Putrle Srdić, MoTA Point, 2015
  • Network Museum, web page launch, connecting a network of existing digital data bases for contemporary and time-based art, Presentation of Results, MSUM Museum of Contemporary Art Metelkova, March, 2015
  • Glossary of Common Knowledge, web page launch, MSUM Museum of Contemporary Art Metelkova, March, 2015
  • Glossary of Common Knowledge, Geo-Politics, international seminar, MSUM Museum of Contemporary Art Metelkova, Ljubljana, 16–17 September 2015
  • Sanela Jahić, Artist Talk, No Nails, No Pedestals, SCCA, Centre for Contemporary Arts – Ljubljana, 11 February 2015

[2014]

  • Image Snatchers, Techno Burlesqure, Pritličje, Ljubljana, 20 December 2014
  • Image Snatchers, Techno Burlesqure, Drugajanje Festival, Nagib na oder, National House Club, Maribor, 4 December 2014
  • Artbook editing for Lenka Đorojević & Matej Stupica, Neur-o-Matic, installation, production: Ljudmila, producer: Tina Dolinšek Malina, MoTA – Museum of Transitory Art, 19 December 2014 – 16 January 2015
  • ČIPke – Initiative for women with a sense for technology, science and art, Final Exhibition, 15 December 2014
  • Glossary of Common Knowledge – Subjectivization, co-preparation of international symposium, L’Internationale, 13–14 December 2014
  • ČIPkeElectrochemical Sound Improvisation, Mentor: Erin Sexton Initiative for women with a sense for technology, science and art, 1–3 December 2014
  • Theremidi Orchestra, Performance: Improvising Cornelius Cardew Score No. 71, 76, 84 in collaboration with Jaka Berger – brgs, Sonica Festival, Kino Šiška, Ljubljana, 25 November 2014
  • Meeting Out in the Open, Group Exhibition and Action in a Public Space, Likovni salon, Gallery of Contemporary Art Celje, Guided tour on 29 November 2014; exhibition opened from 10 November to 7 December 2014
  • Theremidi Orchestra, Performance, EarZoom Festival, MSUM – Museum of Contemporary Art Metelkova, Ljubljana, 17 October 2014
  • Image Snatchers, Techno Burlesqure, City of Women Festival, Gromka Theatre, Ljubljana, 11 October 2014
  • Crust: Sonoseismic Landscape, Sound Art Installation, Artists: Saša Spačal and Ida Hiršenfelder, Kiblix Festival, Kibla Portal, Maribor, 8–10 October 2014
  • For the Birds, Live Film Performance, Director: Vlado Repnik, Production: babaLAN, Kiblix Festival, Maribor, 9 October 2014 & KinoŠiška, Ljubljana, 15 October 2014
  • ČIPke – Initiative for women with a sense for technology, science and art, Live Electronics, Mentor: Monika Pocrnjić 2–4 October 2014
  • Toilet Whispers, Theory for Sale, Co-production Light Guerilla Festival and Gulag, French Revolution Square, Vžigalica Gallery, Ljubljana, 26 September 2014, 2–3 October 2014
  • SoundLighter, Audiovisual Responsive Installation, Artists: Marko Vivoda and Gašper Milkovič – Biloslav (Izland Collective), jesusonecstasy (Mitja Cerkvenik), Co-production Light Guerilla Festival and Ljudmila, Alkatraz Gallery, 30 September – 8 October 2014
  • Image Snatchers, Techno Burlesqure, Gromka Theatre, Ljubljana, 25 September 2014
  • Sound Happens in a Group!, Theremidi Orchestra, Sound Performance, CT-SWaM & Eyebeam, New York City, @Industry City Distillery, 15 September 2014
  • Sound Happens in a Group!, Theremidi Orchestra, DIY Electronic Workshop, CT-SWaM & EyeBeam, New York City, 10–15 September 2014
  • Sound Happens in a Group!, Guest lecture with Robertina Šebjanič, -Physical Computing+, Fall 2014, MFA Design + Technology, Parsons The New School, New York City, 12 September 2014
  • Image Snatchers, Techno Burlesqure, Young Lions Festival, Gromka Theatre, Ljubljana, 27 August, 2014
  • Moving Objects, Group Exhibition, Artists: Sanela Jahić, Borut Savski, Zoran Srdić Janežič, Curator: Ida Hiršenfelder, Producer: Jana Putrle, Production: Gulag, Škrlovec Tower, Kranj, 23 August 2014
  • Drama in the Sound of the City: Emona calling, come in Ljubljana, Let’s Meet at Škuc, Sound Poetry Visual Event, Sound: Theremidi Orchestra, Poets: Mitja Drab, Jana Putrle Srdić, Peter Semolič, Tone Škrjanec, VJ: Gorazd Krnc, Production: Gulag, Škuc Gallery, Ljubljana, 26 July 2014 & Škrlovec Tower, Kranj, 26 October 2014
  • Theremidi Orchestra Workshop, Chill & Grill XI, Production: Synaptic, 19 July 2014
  • Image Snatchers, Techno Burlesqure, Gromka Theatre, Ljubljana, 29 May 2014
  • Cartography of Transitions. A transitory research symposium and meeting, ARTos Foundation, Nicosia, Cyprus, 23–25 May 2014
  • Safer Public Spaces for Women, Lesbians and Trans*, meeting for WLT* activists working in Ljubljana and Berlin area, presentation of ČIPke Platform, 14–18 May 2014, Potsdam
  • Theremidi Orchestra: “Antifa”, part of “Victory over Fascism Day” and “Official National Celebration of 10th Anniversary of Joining the EU”, KSEVT, Vitanje, Slovenia, 9 May 2014, live broadcasted on RTV Slovenia.
  • Trasformatorio, International Laboratory Residency, Montalbano Elicona, Sicily, Italy, 22 April – 2 May 2014 >> see: Etna Experiment
  • Image Snatchers, Techno Burlesqure, 44th Week of Slovenian Drama, Škrlovc Tower, PG Kranj, 5 April 2014
  • Image Snatchers, Techno Burlesqure, Gromka Theatre, Ljubljana, 3 April 2014
  • Theremidi Orchestra with with Irena Tomažin: TRESK#5 Festival, sound performance, 20 March 2014
  • Barva na dlaneh [Colour on One’s Hands]: Colour on One’s Hands is series of monthly portraits of artists at Dnevnik Daily published since June 2009. The idea for the series came out of a need to present younger or less known artists and artistic collectives from the field of fine arts, media art and design.
  • Lecture: Endless Plane. The Art of Projection, Nova Gorica City Gallery, 25 February 2014
  • Interview: Panoptikum: Archives and Memory, Panoptikum bi-weekly 50 minutes talk show at Slovene National Television Station dedicated to topics concerning humanism, philosophy, art and culture through the eyes of current social situation moderated by Boštjan Narat, Radio Televison Slovenia, 23 January 2014
  • Text: Neža Jurman: Risbe v vsakem kotičku in na prav vsakem koraku, in Dnevnik / Barba na dlaneh, 30 December 2014
  • Text: Matija Brumen: Fiktivna topologija mesta, in Dnevnik / Barba na dlaneh, 2 December 2014
  • Text: Anja Jerčič Jakob: Mračnjaško tihožitje herbarija, in Dnevnik / Barba na dlaneh, 4 November 2014
  • Text: Sunčan Patrick Stone: Tisti molj, ki jé predstave, in Dnevnik / Barba na dlaneh, 14 October 2014
  • Text: Natalija Črnčec: Svetleča barvna telesa, in Dnevnik / Barba na dlaneh, 2 September 2014
  • Text: Nataša Berk: Impulzivne osebnostne drže, in Dnevnik / Barba na dlaneh, 5 August 2014
  • Text: Adrijan Praznik: Zgrešena prihodnost se grozeče bliža, in Dnevnik / Barba na dlaneh, 8 July 2014
  • Text: Nenad Cizl: Prikazni iz morastih sanj, in Dnevnik / Barva na dlaneh, 3 June 2014
  • Text: Valérie Wolf Gang: Hitra potovanja skozi prostor in čas, in Dnevnik / Barva na dlaneh, 13 May 2014
  • Text: Barbara Jurkovšek: Lutke, ljudje in druge živali, in Dnevnik / Barva na dlaneh, 8 April 2014
  • Text: Emin Djukić: Poišči vzorec, preklopi na avtopilota, in Dnevnik / Barva na dlaneh, 4 March 2014
  • Text: Klemen Zupanc: Prevajanje trkov različnih svetov, in Dnevnik / Barva na dlaneh, 4 February 2014
  • Text: Luka Uršič: Ne bojmo se sentimentalnosti, in Dnevnik / Barva na dlaneh, 7 January 2014

[2013]

[2012]

[2011]

[2010]

[2009]

[2008]

  •  & oruzje.com / Trash for Trash, VN Gallery, Zagreb, Croatia, 2008

[2007]

  • Text, Art-Area 103: presek umetnostnega leta 2007, @ Radio Študent, 16 December 2007
  • Text, Art-Area 102: Linus Nilsson / Bienale proširenih medija – Beograd / Jakopičeva nagrada, @ Radio Študent, 12 December 2007
  • Text, Art-Area 101: bridA / Maja Smrekar / Sašo Sedlaček, @ Radio Študent, 28 November 2007
  • Text, Art-Area 99: festival Mesto žensk / festival Mesec fotografije, 10 October 2007
  • Text, Art-Area 98: Nebuyoshi Araki / VSSD / Slovenska kiparska razstava, @ Radio Študent, 26 September 2007
  • Text, Art-Area 97: 27. Grafični bienale v Ljubljani, @ Radio Študent, 12 September 2007
  • Text, Art-Area 96: razstava There Is Never A Stop And Never A Finish / projekt Lost Highway, @ Radio Študent, 29 August 2007
  • Ida Hiršenfelder: Združevanje kreativnih moči (intervju) [Joining the Creative Forces (interview)], Likovne besede, 79/80, Summer 2007, Ljubljan
  • Text, Art-Area 95: 52. Beneški bienale, @ Radio Študent, 18 July 2007
  • international group exhibition, “meinewaffe.com / Trash for Trash”, part of Homo bellicus. A Genealogy of War, curated by Mikala Hyldig Dal, 29 June – 9 July 2007, Berlin, Germany
  • Text, Art-Area 94: Vaginal Davis / raziskovalni laboratorij Labsus / This Wojzak, @ Radio Študent, 27 June 2007
  • Text, Art-Area 93: Miha Štrukelj / son:DA / 52. beneški bienale, @ Radio Študent, 3 June 2007
  • Text, Art-Area 92: okrogla miza Kuratorske prakse / Viktor Bernik / Montevideo Amsterdam, @ Radio Študent, 23 May 2007
  • Text, Art-Area 91: Viennafair / predstava Digitalna komuna / Paulo Eurico Variz, @ Radio Študent, 9 May 2007
  • Text, Art-Area 89, @ Radio Študent, 11 April 2007
  • Copywriting for Sanja Grcić: Družinske vezi: Globalna moda lokalna tradicija, MGLC, 26 January – 9 February 2007

[2006]

  • Text in Arterija 82, @ Radio Študent, 27 December 2006
  • Interviewed for Arterija 80, @ Radio Študent, 22 November 2006
  • Text for Lara Badurina : serija = series : Moderna galerija, Studio “Josip Račić”, 31 January – 19 February 2006. : [katalog izložbe] / [predgovor Ida Hirsenfelder, Ana Dević ; prijevod
  • Text for Hairlines, Lawrence Gallery, Philadelpia, USA 2007 Dualities, Media Nox, Maribor, Slovenia 2006
  • Plan the Coincidence, curating, group show,
  • Kerkoš, Saša, edit., Orozje.com / Trash for Trash, text in a catalogue, Ljubljana: Tretaroka, 2006
  • Orozje.com / Trash for Trash, solo-show, Ministry of Defense of the Republic of Slovenia, Ljubljana, 12 – 28 June 2006

[2005]

  • Between Realism and Utopia, curating an exhibition of Chinese propaganda posters, produced by CodeEp, Festival of Spring, Yuan Sinology Society, 5–26 May 2005, Stara Elektrarna, Ljubljana
  • Pretty Dirty, co-curating of a collaborative group show, a graduation exhibition of the World of Art School for Curators of Contemporary Art, ŠKUC Gallery, Ljubljana, 24 June – 22 July 2005
  • Text for Wang Huiqin, China Soirée, exhibition brochure, Palais Porcia, Wien, Austria

[formal and informal education]

  • 2021 Masters of Sonology, Institute of Sonology, Royal Conservatoire, The Hague, Netherlands
  • 2006 中文系,北京语言文化大学, Summer School for Chinese Language, Beijing Language and Culture University, Peking, PR China
  • 2004–2005 Course for Curators of Contemporary Art, World of Art, SCCA-Ljubljana
  • 1996–2003 Sinology, Department of Asian and African Studies, Faculty of Arts, University of Ljubljana, Slovenia, academic title: University Graduate Sinologue, graduation theses: Kolektivno avtorstvo kitajskih propagandnih plakatov / Collective Authorship of Chinese Propaganda Posters, COBISS.SI-ID – 62305890
  • 1996–2003 Laical Theology, Theological Faculty, University of Ljubljana, Slovenia, academic title: Professor of Theology, graduation theses: Modernistično slikarstvo v cerkvah na Slovenskem (1965-1985) / Modernist Painting in Churches in Slovenia (1965-1985), COBISS.SI-ID – 7392090
  • 2000 Buddhist Monastery Residency, 佛教弘誓學院, Guanyin District, Taoyuan City, Taiwan
  • 1998–1999 中文系,北京语言文化大学, Chinese Language Studies, Beijing Language and Culture University, Peking, PR China
  • 1992–1996 Graphic Design, Middle School for Design and Photography (SŠOF), Ljubljana, Slovenia

[employment]

[residencies]

  • 2023 (announced) field recording residency, curated by David Petráš, @Slovenská národná galéria Schaubmarov mlyn, Pezinok, Slovakia, residency 18-27 August 2023
  • 2022 ambisonic residency, OTTOsonics, artist-in-residency, 48-channel sound spatialisation, Alter Bauhof, Ottensheim (AT), 5‒12 June 2022
  • 2020 field recording residency, Agosto Foundation Artist-In-Residence Program, Prague, Czech Republic
  • 2020 sound design by the invitation of artists-in-residency, Anja Bornšek, Barbara Kanc, Tina Valentan, Katedrala, Kino Šiška in the context of EPK 2025
  • 2019 field recording residency, Sonic Future Residencies organised by Jumătatea plină Association and the podcast platform for radio art, creative sound documentaries and field recording SEMI SILENT, Danube Delta National Park, Romania
  • 2014 artist residency, Theremidi Orchestra with Irena Tomažin, Dvocikel project, Layer House, Kranj, Slovenia
  • 2014 sound art and education residency, Sound Happens in a Group!, Theremidi Orchestra, Eyebeam, New York, USA
  • 2014 art residency, Trasformatorio #2 – Site-specific performance research lab, Montalbano Elicona, Sicily, Italy
  • 2013 art residency, Ministry of Culture of the Republic of Slovenia in New York, USA
  • 2010 Summer School for Curators of Contemporary Art, Yerevan, Armenia

[communities]

  • 2022– Slovenia based co-learning group for composing in VCV, mentor
  • 2021– Slovenia based Clockwork Voltage community, member
  • 2020– Slovenia based informal co-learning group for composing in SuperCollider, participant
  • 2017– Jata C, laptop music group for bioacoustics, member
  • 2012–2016 ČIPke Initiative for Women with a Sense for Science, Technology and Art, co-initiator
  • 2011–2017 Theremidi Orchestra, DIY noise collective, member
  • 2003–2005 Yuan Sinology Society, coordinator

[jury membership]
Pixxelpoint New Media Art Festival (2011); Interactivos’12 Digital Innovation Factory (2012); Strictly Analogue Festival (2013–2015), Selection of L’Internationale Online Editor (2018), Maribor City Municipality, Department for Culture, Media-art Programme (2019–2021), Simulaker Gallery: First Chance Exhibitions (2019–2020), Student Award / International Festival of Computer Art (Mednarodni festival računalniške umetnosti-MFRU) (2020–2022)