time-displacement-beepblip

time displacement | chemobrionic garden

Vztrajnostni performans v odprtem laboratoriju avtorja | Robertina Šebjanič in Aleš Hieng — Zergon galerija | Projektni prostor Aksioma, Komenskega 18, Ljubljana, Slovenija odprtje in predavanje | četrtek, 17. decembra 2015, ob 19.00 uri odprti laboratorij | petek, 18. in

time-displacement-beepblip

time displacement | chemobrionic garden

Vztrajnostni performans v odprtem laboratoriju avtorja | Robertina Šebjanič in Aleš Hieng — Zergon galerija | Projektni prostor Aksioma, Komenskega 18, Ljubljana, Slovenija odprtje in predavanje | četrtek, 17. decembra 2015, ob 19.00 uri odprti laboratorij | petek, 18. in

beepblip-agapea-2311

agapea | 2311

agapea | 2311 performed and recorded | agapea except 2322 performed and recorded | agapea and beepblip design | Andro Giunio usb & booklet print | Maruša ‘Maruji’ Hren media support | Radio Študent Ljubljana available as | digital download & hand-made limited edition CDr+book label | KAMIZDAT production | Emanat,

beepblip-agapea-2311

agapea | 2311

agapea | 2311 performed and recorded | agapea except 2322 performed and recorded | agapea and beepblip design | Andro Giunio usb & booklet print | Maruša ‘Maruji’ Hren media support | Radio Študent Ljubljana available as | digital download & hand-made limited edition CDr+book label | KAMIZDAT production | Emanat,

earth-beepblip

earth | sonoseismic instrument

ARTISTS | Saša Spačal (SI), Ida Hiršenfelder (SI), media-art installation, 2015 Welcome to the Anthropocene, the geological era of industrial societies. The era that is marked by disruptions in the Earth’s system on a planetary scale. Climate change, loss of

earth-beepblip

earth | sonoseismic instrument

ARTISTS | Saša Spačal (SI), Ida Hiršenfelder (SI), media-art installation, 2015 Welcome to the Anthropocene, the geological era of industrial societies. The era that is marked by disruptions in the Earth’s system on a planetary scale. Climate change, loss of

beepblip-cipkarnica-mestozensk

čipkarnica | mesto žensk

Foto: Hana Jošič ČIPke predstavljamo ČIPkarnico na razstavi CIK CAK v okviru Mesta žensk na povabilo kuratorice Lenke Đorojević. Razstava je namenjena kartografiranju različnih aktivnih, kritičnih in kreativnih feminističnih praks s področja bivše Jugoslavije. Poleg ČIPk bodo na razstavi prestavljena

beepblip-cipkarnica-mestozensk

čipkarnica | mesto žensk

Foto: Hana Jošič ČIPke predstavljamo ČIPkarnico na razstavi CIK CAK v okviru Mesta žensk na povabilo kuratorice Lenke Đorojević. Razstava je namenjena kartografiranju različnih aktivnih, kritičnih in kreativnih feminističnih praks s področja bivše Jugoslavije. Poleg ČIPk bodo na razstavi prestavljena

Theremidi_Orchestra_Photo-Ales-Rosa copy

theremidi orchestra | archive

Theremidi Orchestra (TO) is an audiovisual DIY community initiated by participants of the Theremini and Teremidi physical interface workshop, organised by Ljudmila – Ljubljana Digital Media Lab in May, 2011. Rather than a subject, TO is a verb, an ongoing

Theremidi_Orchestra_Photo-Ales-Rosa copy

theremidi orchestra | archive

Theremidi Orchestra (TO) is an audiovisual DIY community initiated by participants of the Theremini and Teremidi physical interface workshop, organised by Ljudmila – Ljubljana Digital Media Lab in May, 2011. Rather than a subject, TO is a verb, an ongoing

beepblip_znfi

theremidi orchestra | noisefest

Theremidi Orchestra at ZNFI – Zasavje Noisefest International.

beepblip_znfi

theremidi orchestra | noisefest

Theremidi Orchestra at ZNFI – Zasavje Noisefest International.

beepblip_athens

beepblip | hexahive at electric nights

Electric Nights is a 27 hours live experimental electronic music event, taking place from 3rd to 4th April 2015 at Booze Terminal in the center of Athens, Greece. It opens a space for live experimental electronic music, DIY and noise

beepblip_athens

beepblip | hexahive at electric nights

Electric Nights is a 27 hours live experimental electronic music event, taking place from 3rd to 4th April 2015 at Booze Terminal in the center of Athens, Greece. It opens a space for live experimental electronic music, DIY and noise

beepblip_marko_batista_h220

marko batista | microrobotic machines

During 2014 four writers (curator Andreja Hribernik, media art curator Jurij Krpan, sound art curator and theorist Luka Zagoričnik and I) were invited by Aksioma Project Space and Koroška galerija likovnih umetnosti to contribute texts for media artist Marko Batista’s

beepblip_marko_batista_h220

marko batista | microrobotic machines

During 2014 four writers (curator Andreja Hribernik, media art curator Jurij Krpan, sound art curator and theorist Luka Zagoričnik and I) were invited by Aksioma Project Space and Koroška galerija likovnih umetnosti to contribute texts for media artist Marko Batista’s

diy_electronics_beepblip_benjolin_header

benjolin | the big knob spider

For a perfectly unpredictable noise synth, the Benjolin is actually not hard to make. The matrix for PCB etching and bill of materials was kindly provided by Peter Edwards on his Casper Electronics page, who got the official approval for

diy_electronics_beepblip_benjolin_header

benjolin | the big knob spider

For a perfectly unpredictable noise synth, the Benjolin is actually not hard to make. The matrix for PCB etching and bill of materials was kindly provided by Peter Edwards on his Casper Electronics page, who got the official approval for

beepblip_spacal_liminoid

sasa spačal | matic potočnik| liminoid

Liminoid is a wearable electronic system that induces an augmented and virtual experience of disintegrating subjectivity. The system is constructed of three body extensions. The first extension is Oculus Rift: a next-generation virtual reality headset primarily designed for immersive gaming.

beepblip_spacal_liminoid

sasa spačal | matic potočnik| liminoid

Liminoid is a wearable electronic system that induces an augmented and virtual experience of disintegrating subjectivity. The system is constructed of three body extensions. The first extension is Oculus Rift: a next-generation virtual reality headset primarily designed for immersive gaming.

beepblip_boxing_match_jasna_jernejsek

out in the open | social ecology in artistic actions

Social Ecology within Artistic Action Currently showing a group documentary exhibition Meeting out in the Open – Social Ecology in Artistic Actions to do with collaborative artistic practices, tactics of survival, critical practical economics, displacement, social hierarchies… The exhibition opened

beepblip_boxing_match_jasna_jernejsek

out in the open | social ecology in artistic actions

Social Ecology within Artistic Action Currently showing a group documentary exhibition Meeting out in the Open – Social Ecology in Artistic Actions to do with collaborative artistic practices, tactics of survival, critical practical economics, displacement, social hierarchies… The exhibition opened

beepblip_image_snatchers_special

technoburlesque special edition

Technoburlesque – Image Snatchers Special Edition in collaboration with the participants of the Beyond Burlesque! workshop conducted by Ursula Martinez. Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will

beepblip_image_snatchers_special

technoburlesque special edition

Technoburlesque – Image Snatchers Special Edition in collaboration with the participants of the Beyond Burlesque! workshop conducted by Ursula Martinez. Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will

crust_sonoseismic_landscape_beepblip

crust | sonoseismic landscape

In the dust of this planet the crust of all that is solid is grinded into a penetrable surface. Crust: Sonosesmic Landscape by Saša Spačal and Ida Hiršenfelder is challenging common knowledge about the Earth’s surface. It is a response

crust_sonoseismic_landscape_beepblip

crust | sonoseismic landscape

In the dust of this planet the crust of all that is solid is grinded into a penetrable surface. Crust: Sonosesmic Landscape by Saša Spačal and Ida Hiršenfelder is challenging common knowledge about the Earth’s surface. It is a response

for-the-birds-beepblip

for the birds

For the Birds is the second part of performance / film / lecture trilogy: Also sprach Cage; For The Birds; A Year From Tuesday. For the Birds is a poetic attemt to outline the states of non-ownership. Premiere 9the October,

for-the-birds-beepblip

for the birds

For the Birds is the second part of performance / film / lecture trilogy: Also sprach Cage; For The Birds; A Year From Tuesday. For the Birds is a poetic attemt to outline the states of non-ownership. Premiere 9the October,

beepblip_theremidi_sound_happens_nyc

sound happens in the group!

Theremidi Orchestra has been invited to hold a workshop and performance at CT-SWaM & Eyebeam, New York in September, 2014. CT-SWaM (Contemporary Temporary Sound Works And Music) is Eyebeam’s late night concert series curated by Eyebeam Alumni Daniel Neumann. The

beepblip_theremidi_sound_happens_nyc

sound happens in the group!

Theremidi Orchestra has been invited to hold a workshop and performance at CT-SWaM & Eyebeam, New York in September, 2014. CT-SWaM (Contemporary Temporary Sound Works And Music) is Eyebeam’s late night concert series curated by Eyebeam Alumni Daniel Neumann. The

Kaca_Savski_beepblip

moving objects

Moving objects is a group exhibition of responsive installations created by Sanela Jahić, Borut Savski and Zoran Srdić Janežič, in which artists treat mechanical objects as a medium used to express emotions. Savski placed on show three cybernetic mechanisms from

Kaca_Savski_beepblip

moving objects

Moving objects is a group exhibition of responsive installations created by Sanela Jahić, Borut Savski and Zoran Srdić Janežič, in which artists treat mechanical objects as a medium used to express emotions. Savski placed on show three cybernetic mechanisms from

Emona_beepblip

drama in the urban sounds

There is drama in the urban sounds: Emona calling, where are you Ljubljana? was a poetry and audio-visual performance creating lucid visual landscapes together with the atonal sounds, which had built a subtle construction and promised plenty of enjoyment for

Emona_beepblip

drama in the urban sounds

There is drama in the urban sounds: Emona calling, where are you Ljubljana? was a poetry and audio-visual performance creating lucid visual landscapes together with the atonal sounds, which had built a subtle construction and promised plenty of enjoyment for

tribe_beepblip_karinasmiglabobinski_simulacra

transitory art | discussions

The book was a result of T.R.I.B.E. – Transitory Research (Residency) Initiative of the Balkans and Eastern Europe, which intended to research the border geographies of the European art world through the perspective of the notion of transitory art signified

tribe_beepblip_karinasmiglabobinski_simulacra

transitory art | discussions

The book was a result of T.R.I.B.E. – Transitory Research (Residency) Initiative of the Balkans and Eastern Europe, which intended to research the border geographies of the European art world through the perspective of the notion of transitory art signified

hands-beepblip

colour on one’s hands

Colour on One’s Hands [Barva na dlaneh] is series of monthly portraits of artists at Dnevnik Daily published since June 2009. The idea for the series came out of a need to present younger or less known artists and artistic

hands-beepblip

colour on one’s hands

Colour on One’s Hands [Barva na dlaneh] is series of monthly portraits of artists at Dnevnik Daily published since June 2009. The idea for the series came out of a need to present younger or less known artists and artistic

Our very own domesticated crater at Mt. Etna, Sicily, Itali, Photo by Saša Spačal

sonoseismic | etna experiment

Etna_experiment is an exploration of ground movements and seismic signals in the vicinity of Etna volcano. Continual background vibrations, known as seismic noise, often distort seismic signals and limit their detection. Seismic noise is mostly generated by wind and ocean

Our very own domesticated crater at Mt. Etna, Sicily, Itali, Photo by Saša Spačal

sonoseismic | etna experiment

Etna_experiment is an exploration of ground movements and seismic signals in the vicinity of Etna volcano. Continual background vibrations, known as seismic noise, often distort seismic signals and limit their detection. Seismic noise is mostly generated by wind and ocean

TO_IT_TRESK_beepblip

hybrid resonance

TRESK #5 Festival has coupled eight music groups and paired them according to acoustic similarities. Theremidi Orchestra got the privilege to play with vocal sound artist and dancer Irena Tomažin on the basis of our mutual fascination with electromagnetic waves

TO_IT_TRESK_beepblip

hybrid resonance

TRESK #5 Festival has coupled eight music groups and paired them according to acoustic similarities. Theremidi Orchestra got the privilege to play with vocal sound artist and dancer Irena Tomažin on the basis of our mutual fascination with electromagnetic waves

endless_plane_beepblip

endless plane

Endless Plane: The Art of Projection is a lecture on the dimensions of video space and the art of projection with generative tools. Today, video space is an endless three-dimensional universe, which has completely transformed the initial television frame in

endless_plane_beepblip

endless plane

Endless Plane: The Art of Projection is a lecture on the dimensions of video space and the art of projection with generative tools. Today, video space is an endless three-dimensional universe, which has completely transformed the initial television frame in

diy_electronics_beepblip_wierdamine_header

weirdamine | wrongamine

Not everything that is weird is wrong. From John Leafcutter’s Wrongamine, making of the most perfect white noise sound gadget was one of most romantic DIY projects ever. This extremely unpredictable small device was made in collaboration with Zergon. We

diy_electronics_beepblip_wierdamine_header

weirdamine | wrongamine

Not everything that is weird is wrong. From John Leafcutter’s Wrongamine, making of the most perfect white noise sound gadget was one of most romantic DIY projects ever. This extremely unpredictable small device was made in collaboration with Zergon. We

panoptikum_beepblip

archives and memory

Panoptikum is a bi-weekly 50 minutes talk show at Slovene National Television Station dedicated to topics concerning humanism, philosophy, art and culture through the eyes of current social situation. The emission is conducted in turns by philosopher / musician Boštjan

panoptikum_beepblip

archives and memory

Panoptikum is a bi-weekly 50 minutes talk show at Slovene National Television Station dedicated to topics concerning humanism, philosophy, art and culture through the eyes of current social situation. The emission is conducted in turns by philosopher / musician Boštjan

beepblip-fine-art

radio | fine arts

Fine umetnosti | Fine Arts is a show for critical review of contemporary art presented in museums, art galleries and other exhibition venues at the present time. I have been contributing reviews for the show from 2007 to 2012. Some

beepblip-fine-art

radio | fine arts

Fine umetnosti | Fine Arts is a show for critical review of contemporary art presented in museums, art galleries and other exhibition venues at the present time. I have been contributing reviews for the show from 2007 to 2012. Some

cipke_beepblip

čipke

ČIPke is an initiative for women working in the field of technology, science and art. It was concieved by Saša Spačal and Ida Hiršenfelder from the need to create an open, free space for women who want to learn technical

cipke_beepblip

čipke

ČIPke is an initiative for women working in the field of technology, science and art. It was concieved by Saša Spačal and Ida Hiršenfelder from the need to create an open, free space for women who want to learn technical

Video selection: Intimising Dance, Produced by SCCA-Ljubljana, 2011

intimising dance

Intimising Dance is a video programme selected by Ida Hiršenfelder in the framework of Videospotting series of video art programmes produced by SCCA-Ljubljana. It has been screened as a part of TransDance 13 Festival (from 21st till 30th October, 2013)

Video selection: Intimising Dance, Produced by SCCA-Ljubljana, 2011

intimising dance

Intimising Dance is a video programme selected by Ida Hiršenfelder in the framework of Videospotting series of video art programmes produced by SCCA-Ljubljana. It has been screened as a part of TransDance 13 Festival (from 21st till 30th October, 2013)

Bengt Sjölén: TEMPEST aura, Media Art Installation

bengt sjölén | tempest aura

Bengt Sjölén, was a resident artist at Ljudmila, Art and Science Laboratory, in September 2013. He has developed a device for visualising the emissions of any electronic gadget. For art hack day at Bonniers Konsthall, where he constructed the first

Bengt Sjölén: TEMPEST aura, Media Art Installation

bengt sjölén | tempest aura

Bengt Sjölén, was a resident artist at Ljudmila, Art and Science Laboratory, in September 2013. He has developed a device for visualising the emissions of any electronic gadget. For art hack day at Bonniers Konsthall, where he constructed the first

diy_electronics_beepblip_cave_dweller_delay_header

delay | primitives

Compact Cave Dweller Delay is a perfect thing if one got tired of a very predictable Korg Monotrone. One really has to play well not to make the little factory thingys sound really cliche. Besides… Monotrone chews up AAA batteries

diy_electronics_beepblip_cave_dweller_delay_header

delay | primitives

Compact Cave Dweller Delay is a perfect thing if one got tired of a very predictable Korg Monotrone. One really has to play well not to make the little factory thingys sound really cliche. Besides… Monotrone chews up AAA batteries

Zoran Srdić Janežič: Corpus indeterminata, Photo by Sunčan Patrick Stone

zoran srdić janežič | corpus indeterminata iii d

Ida Hiršenfelder has collaborated as a curator and text writer with Zoran Srdić and Gulag in the second stage of Corpus Indeterminata project entitled Corpus Indeterminata III D [*Undefined body III D]. The second stage was a stopover point for

Zoran Srdić Janežič: Corpus indeterminata, Photo by Sunčan Patrick Stone

zoran srdić janežič | corpus indeterminata iii d

Ida Hiršenfelder has collaborated as a curator and text writer with Zoran Srdić and Gulag in the second stage of Corpus Indeterminata project entitled Corpus Indeterminata III D [*Undefined body III D]. The second stage was a stopover point for

TO_openningSJQ_beepblip

openning for sjq++

Theremidi Orchestra openned the performance of SjQ++ an audio-visual project formed in Kyoto, Japan in 2012 by Yuta Uozumi (piano/computer), Tadashi Yonago, (trombone/computer),Isao Nakagaito(guitar), Shuhei Otani(bass), Wataru Asada(Drums) and Ryo Kanda (visual/computer) at Kino Šiška, Ljubljana, 5th September, 2013.

TO_openningSJQ_beepblip

openning for sjq++

Theremidi Orchestra openned the performance of SjQ++ an audio-visual project formed in Kyoto, Japan in 2012 by Yuta Uozumi (piano/computer), Tadashi Yonago, (trombone/computer),Isao Nakagaito(guitar), Shuhei Otani(bass), Wataru Asada(Drums) and Ryo Kanda (visual/computer) at Kino Šiška, Ljubljana, 5th September, 2013.

line_stroke_the_letter2

line stroke the letter

Between language and image, there is neither contradiction nor analogy. That is to say, there is no direct relation between them, there is only ambiguity, e.g. obscurity being expressed, hinting at the inability to express a direct translation between the

line_stroke_the_letter2

line stroke the letter

Between language and image, there is neither contradiction nor analogy. That is to say, there is no direct relation between them, there is only ambiguity, e.g. obscurity being expressed, hinting at the inability to express a direct translation between the

beepblip_neven_korda_foto_nada_zgank

neven korda | savages in space ships

Dramaturg Andreja Kopač and I were invited by Aksioma to produce an analitical text on the practice of Neven Korda with regards to his latest theatre performance Consolidation: Video Strategies of Mapping in an Artist’s Time and Work. The text

beepblip_neven_korda_foto_nada_zgank

neven korda | savages in space ships

Dramaturg Andreja Kopač and I were invited by Aksioma to produce an analitical text on the practice of Neven Korda with regards to his latest theatre performance Consolidation: Video Strategies of Mapping in an Artist’s Time and Work. The text

beepblip_softcontrol

soft control | bio-art

Discussion with Špela Petrič, Maja Smrekar and Saša Spačal: Fresh Principles of Slovenian Bioart took place short after Soft Control exhibition at Portal Kibla in Maribor and Museum of Contemporary Art in Slovenj Gradec. The authors of the interview /

beepblip_softcontrol

soft control | bio-art

Discussion with Špela Petrič, Maja Smrekar and Saša Spačal: Fresh Principles of Slovenian Bioart took place short after Soft Control exhibition at Portal Kibla in Maribor and Museum of Contemporary Art in Slovenj Gradec. The authors of the interview /

Picky_Noises_TOWS_NYC

picky noises

A part of Theremidi Orchestra Women Section Ida Hiršenfelder, Saša Spačal, Robertina Šebjanič recieved a mobility grant in New York City. We were resident artists at “Little Slovenia” e.g. a residency flat of the Ministry for Culture of Republic of

Picky_Noises_TOWS_NYC

picky noises

A part of Theremidi Orchestra Women Section Ida Hiršenfelder, Saša Spačal, Robertina Šebjanič recieved a mobility grant in New York City. We were resident artists at “Little Slovenia” e.g. a residency flat of the Ministry for Culture of Republic of

theremidikits-beepblip

theremini touchtone micronoise

Theremidi Orchestra Kits were designed and produced for U3, 7th Triennial of Contemporary Art in Slovenia. They may be purchased at MG+MSUM Museum of Contemporary Art Metelkova Bookshop or at Ljudmila – Art and Science Laboratory or order them online info@ljudmila.org.

theremidikits-beepblip

theremini touchtone micronoise

Theremidi Orchestra Kits were designed and produced for U3, 7th Triennial of Contemporary Art in Slovenia. They may be purchased at MG+MSUM Museum of Contemporary Art Metelkova Bookshop or at Ljudmila – Art and Science Laboratory or order them online info@ljudmila.org.

U3_beepblip

u3

U3, 7th Triennial of Contemporary Art in Slovenia was curated by Nataša Petrešin-Bachelez who was focused in presenting “community-oriented, site-specific, participatory, performative, architectural, social, civic and other discursive practices exploring new (or revived) community principles, such as the “do-it-together”, urban

U3_beepblip

u3

U3, 7th Triennial of Contemporary Art in Slovenia was curated by Nataša Petrešin-Bachelez who was focused in presenting “community-oriented, site-specific, participatory, performative, architectural, social, civic and other discursive practices exploring new (or revived) community principles, such as the “do-it-together”, urban

Mark Požlep: Just Before The Explosion, Art Installation and Video, 2013

mark požlep | just before the explosion

Multimedia installation for a romantic voyage Just Before the Explosion announces a dramatic climax when all the notions of a romantic place will be finally desolved, the notions of a space of pure absence, taken out of any social reality.

Mark Požlep: Just Before The Explosion, Art Installation and Video, 2013

mark požlep | just before the explosion

Multimedia installation for a romantic voyage Just Before the Explosion announces a dramatic climax when all the notions of a romantic place will be finally desolved, the notions of a space of pure absence, taken out of any social reality.

Vujinovic_PrincicDekleva_Span

feedback loop

Feedback Loop is a video programme selected by Ida Hiršenfelder in the context of Videospotting series of video art programmes produced by SCCA-Ljubljana. It is going to be screened on the façade of the MSU – Museum of Contemporary Art,

Vujinovic_PrincicDekleva_Span

feedback loop

Feedback Loop is a video programme selected by Ida Hiršenfelder in the context of Videospotting series of video art programmes produced by SCCA-Ljubljana. It is going to be screened on the façade of the MSU – Museum of Contemporary Art,

Techno Burlesque: Image Snatchers, Production: Emanat, 2013, Photo by Nada Žgank

image snatchers

Frau Strapatz is a character, a programme announcer who produces inconsistent gibberish in The Image Snatchers a techno burlesque that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound,

Techno Burlesque: Image Snatchers, Production: Emanat, 2013, Photo by Nada Žgank

image snatchers

Frau Strapatz is a character, a programme announcer who produces inconsistent gibberish in The Image Snatchers a techno burlesque that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound,

Theremidi Orchestra Women Section, Photo by Sunčan Patric Stone

there are women in electronic music

Theremidi Orchestra Women Section presented a tribute to female composers of electronic music from 1950s and 60s like Daphne Oram, Delia Derbyshire, Else Marie Pade, Eliane Radigue at the Red Dawns Feminist and Queer Festival, Menza pri koritu, Ljubljana, Slovenia.

Theremidi Orchestra Women Section, Photo by Sunčan Patric Stone

there are women in electronic music

Theremidi Orchestra Women Section presented a tribute to female composers of electronic music from 1950s and 60s like Daphne Oram, Delia Derbyshire, Else Marie Pade, Eliane Radigue at the Red Dawns Feminist and Queer Festival, Menza pri koritu, Ljubljana, Slovenia.

Cosmostalgia_RTVslo_9maj_beepblip_2

cosmo stalgia

Theremidi Orchestra performed at The Cultural Centre of European Space Technologies (KSEVT), invited by theatre director and post-gravity artist Dragan Živadinov on three occasions. All three events had the characteristics of national celebration as a specific genre of public event

Cosmostalgia_RTVslo_9maj_beepblip_2

cosmo stalgia

Theremidi Orchestra performed at The Cultural Centre of European Space Technologies (KSEVT), invited by theatre director and post-gravity artist Dragan Živadinov on three occasions. All three events had the characteristics of national celebration as a specific genre of public event

interactivos_beepblip

interactivos | obsolete technologies

Interactivos?’12 Ljubljana: Obsolete Technologies of the Future (Zastarele tehnologije prihodnosti) was an intensive ten-day workshop and social event, where six selected projects had been co-created by more than 30 international guests at Ljudmila lab. The selected projects aim to rethink

interactivos_beepblip

interactivos | obsolete technologies

Interactivos?’12 Ljubljana: Obsolete Technologies of the Future (Zastarele tehnologije prihodnosti) was an intensive ten-day workshop and social event, where six selected projects had been co-created by more than 30 international guests at Ljudmila lab. The selected projects aim to rethink

beepblip_heath_bunting_identity_bureau

against residual self-image

A text published on the occasion of the exhibition Identity Bureau by Heath Bunting at Aksioma Project Space, Ljubljana, February 2012 in Italian based on-line magazine DigiCULT. [title] Heath Bunting: Identity Bureau. Against Residual Self-Image [author] Ida Hiršenfelder [publisher] Marco

beepblip_heath_bunting_identity_bureau

against residual self-image

A text published on the occasion of the exhibition Identity Bureau by Heath Bunting at Aksioma Project Space, Ljubljana, February 2012 in Italian based on-line magazine DigiCULT. [title] Heath Bunting: Identity Bureau. Against Residual Self-Image [author] Ida Hiršenfelder [publisher] Marco

real_time_for_nerves

real time for ner[ve/d]s

The exhibition Real Time Settings for Ner[d/ve]s is not the result of a curatorial selection that reveals a theme, but presents a genre of programme based media art linked to responsive technologies. It is bringing together contents that emerged at

real_time_for_nerves

real time for ner[ve/d]s

The exhibition Real Time Settings for Ner[d/ve]s is not the result of a curatorial selection that reveals a theme, but presents a genre of programme based media art linked to responsive technologies. It is bringing together contents that emerged at

Olia Lialina: Agatha Appeares, net-art

women behaving badly

Women behaving badly, public discussion during Creating the Feminist Archive Means: Facing the Real to the Most Extent, Bring In Take Out Feminist Archive, Kapelica Gallery, Ljubljana, 9th March, 2012 What brought us together is on the one hand my work

Olia Lialina: Agatha Appeares, net-art

women behaving badly

Women behaving badly, public discussion during Creating the Feminist Archive Means: Facing the Real to the Most Extent, Bring In Take Out Feminist Archive, Kapelica Gallery, Ljubljana, 9th March, 2012 What brought us together is on the one hand my work

Dying in the Digital Age: The Net Never Forgets

digital death

Ida Hiršenfelder: Digitalna smrt. Splet nikoli ne pozabi / Digital Death. The Net Never Forgets lecture was produced on the invitation of Aksioma – Institute for Contemporary Art, Ljubljana in the context of Igor Štromajer Make Love, Not Art. exhibition

Dying in the Digital Age: The Net Never Forgets

digital death

Ida Hiršenfelder: Digitalna smrt. Splet nikoli ne pozabi / Digital Death. The Net Never Forgets lecture was produced on the invitation of Aksioma – Institute for Contemporary Art, Ljubljana in the context of Igor Štromajer Make Love, Not Art. exhibition

James Powderly and Eun-Jung Son: Slikolizniki, 2012

james powderly and eun-jung son | the lickers

Ljudmila hosted two fantastic artists – F.A.T. Lab‘s James Powderly and Korean artist Eun-Jung Son on a residency from January 6th to February 26th, 2012 in cooperation with Tobačna 001 Cultural Centre. Their final work was presented at an exhibition

James Powderly and Eun-Jung Son: Slikolizniki, 2012

james powderly and eun-jung son | the lickers

Ljudmila hosted two fantastic artists – F.A.T. Lab‘s James Powderly and Korean artist Eun-Jung Son on a residency from January 6th to February 26th, 2012 in cooperation with Tobačna 001 Cultural Centre. Their final work was presented at an exhibition