Category Archives: performances

Radio is the ultimate space of projection! It is also a highly suggestive medium. Without a conscious purpose I got drawn to performing first with Theremidi Orchestra producing noisy soundscapes with DIY electronics and later also in theatre with my alter-ego Frau Strapatz who performas as a programme announcer in Image Snatchers Techno Burlesque.

theremidi orchestra | archive

Theremidi Orchestra (TO) is an audiovisual DIY community initiated by participants of the Theremini and Teremidi physical interface workshop, organised by Ljudmila – Ljubljana Digital Media Lab in May, 2011. Rather than a subject, TO is a verb, an ongoing

theremidi orchestra | archive

Theremidi Orchestra (TO) is an audiovisual DIY community initiated by participants of the Theremini and Teremidi physical interface workshop, organised by Ljudmila – Ljubljana Digital Media Lab in May, 2011. Rather than a subject, TO is a verb, an ongoing

theremidi orchestra | noisefest

Theremidi Orchestra at ZNFI – Zasavje Noisefest International.

theremidi orchestra | noisefest

Theremidi Orchestra at ZNFI – Zasavje Noisefest International.

beepblip | hexahive at electric nights

Electric Nights is a 27 hours live experimental electronic music event, taking place from 3rd to 4th April 2015 at Booze Terminal in the center of Athens, Greece. It opens a space for live experimental electronic music, DIY and noise

beepblip | hexahive at electric nights

Electric Nights is a 27 hours live experimental electronic music event, taking place from 3rd to 4th April 2015 at Booze Terminal in the center of Athens, Greece. It opens a space for live experimental electronic music, DIY and noise

technoburlesque special edition

Technoburlesque – Image Snatchers Special Edition in collaboration with the participants of the Beyond Burlesque! workshop conducted by Ursula Martinez. Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will

technoburlesque special edition

Technoburlesque – Image Snatchers Special Edition in collaboration with the participants of the Beyond Burlesque! workshop conducted by Ursula Martinez. Upon a special jubilee and utterly festive anniversary of the City of Women, this year’s celebration is also joined by Image Snatchers, which will

for the birds

For the Birds is the second part of performance / film / lecture trilogy: Also sprach Cage; For The Birds; A Year From Tuesday. For the Birds is a poetic attemt to outline the states of non-ownership. Premiere 9the October,

for the birds

For the Birds is the second part of performance / film / lecture trilogy: Also sprach Cage; For The Birds; A Year From Tuesday. For the Birds is a poetic attemt to outline the states of non-ownership. Premiere 9the October,

sound happens in the group!

Theremidi Orchestra has been invited to hold a workshop and performance at CT-SWaM & Eyebeam, New York in September, 2014. CT-SWaM (Contemporary Temporary Sound Works And Music) is Eyebeam’s late night concert series curated by Eyebeam Alumni Daniel Neumann. The

sound happens in the group!

Theremidi Orchestra has been invited to hold a workshop and performance at CT-SWaM & Eyebeam, New York in September, 2014. CT-SWaM (Contemporary Temporary Sound Works And Music) is Eyebeam’s late night concert series curated by Eyebeam Alumni Daniel Neumann. The

drama in the urban sounds

There is drama in the urban sounds: Emona calling, where are you Ljubljana? was a poetry and audio-visual performance creating lucid visual landscapes together with the atonal sounds, which had built a subtle construction and promised plenty of enjoyment for

drama in the urban sounds

There is drama in the urban sounds: Emona calling, where are you Ljubljana? was a poetry and audio-visual performance creating lucid visual landscapes together with the atonal sounds, which had built a subtle construction and promised plenty of enjoyment for

hybrid resonance

TRESK #5 Festival has coupled eight music groups and paired them according to acoustic similarities. Theremidi Orchestra got the privilege to play with vocal sound artist and dancer Irena Tomažin on the basis of our mutual fascination with electromagnetic waves

hybrid resonance

TRESK #5 Festival has coupled eight music groups and paired them according to acoustic similarities. Theremidi Orchestra got the privilege to play with vocal sound artist and dancer Irena Tomažin on the basis of our mutual fascination with electromagnetic waves

openning for sjq++

Theremidi Orchestra openned the performance of SjQ++ an audio-visual project formed in Kyoto, Japan in 2012 by Yuta Uozumi (piano/computer), Tadashi Yonago, (trombone/computer),Isao Nakagaito(guitar), Shuhei Otani(bass), Wataru Asada(Drums) and Ryo Kanda (visual/computer) at Kino Šiška, Ljubljana, 5th September, 2013.

openning for sjq++

Theremidi Orchestra openned the performance of SjQ++ an audio-visual project formed in Kyoto, Japan in 2012 by Yuta Uozumi (piano/computer), Tadashi Yonago, (trombone/computer),Isao Nakagaito(guitar), Shuhei Otani(bass), Wataru Asada(Drums) and Ryo Kanda (visual/computer) at Kino Šiška, Ljubljana, 5th September, 2013.

picky noises

A part of Theremidi Orchestra Women Section Ida Hiršenfelder, Saša Spačal, Robertina Šebjanič recieved a mobility grant in New York City. We were resident artists at “Little Slovenia” e.g. a residency flat of the Ministry for Culture of Republic of

picky noises

A part of Theremidi Orchestra Women Section Ida Hiršenfelder, Saša Spačal, Robertina Šebjanič recieved a mobility grant in New York City. We were resident artists at “Little Slovenia” e.g. a residency flat of the Ministry for Culture of Republic of

u3

U3, 7th Triennial of Contemporary Art in Slovenia was curated by Nataša Petrešin-Bachelez who was focused in presenting “community-oriented, site-specific, participatory, performative, architectural, social, civic and other discursive practices exploring new (or revived) community principles, such as the “do-it-together”, urban

u3

U3, 7th Triennial of Contemporary Art in Slovenia was curated by Nataša Petrešin-Bachelez who was focused in presenting “community-oriented, site-specific, participatory, performative, architectural, social, civic and other discursive practices exploring new (or revived) community principles, such as the “do-it-together”, urban

Techno Burlesque: Image Snatchers, Production: Emanat, 2013, Photo by Nada Žgank

image snatchers

Frau Strapatz is a character, a programme announcer who produces inconsistent gibberish in The Image Snatchers a techno burlesque that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound,

Techno Burlesque: Image Snatchers, Production: Emanat, 2013, Photo by Nada Žgank

image snatchers

Frau Strapatz is a character, a programme announcer who produces inconsistent gibberish in The Image Snatchers a techno burlesque that mocks the rigidity of social roles, human self-sufficiency, pretension. Performativity of the body in the gaps between silence and sound,

there are women in electronic music

Theremidi Orchestra Women Section presented a tribute to female composers of electronic music from 1950s and 60s like Daphne Oram, Delia Derbyshire, Else Marie Pade, Eliane Radigue at the Red Dawns Feminist and Queer Festival, Menza pri koritu, Ljubljana, Slovenia.

there are women in electronic music

Theremidi Orchestra Women Section presented a tribute to female composers of electronic music from 1950s and 60s like Daphne Oram, Delia Derbyshire, Else Marie Pade, Eliane Radigue at the Red Dawns Feminist and Queer Festival, Menza pri koritu, Ljubljana, Slovenia.

cosmo stalgia

Theremidi Orchestra performed at The Cultural Centre of European Space Technologies (KSEVT), invited by theatre director and post-gravity artist Dragan Živadinov on three occasions. All three events had the characteristics of national celebration as a specific genre of public event

cosmo stalgia

Theremidi Orchestra performed at The Cultural Centre of European Space Technologies (KSEVT), invited by theatre director and post-gravity artist Dragan Živadinov on three occasions. All three events had the characteristics of national celebration as a specific genre of public event