The track was performed and recorded live on Sound Topographies Festival at Škuc Gallery, Ljubljana, 1 October 2017. It is based on various field recordings. With repetition the moment of encountering a sound becomes an object in the archive of memory or something known and transmittable. The track plays with various frequencies in audio or electromagnetic spectrums that shift the flow of conscious thinking. In this sense, the production of persistent sounds is political, it nullifies the capacity to be productive and efficient; the two imperatives imposed by capitalist mode of reproduction. These sounds are not particularly entertaining. They offer relaxation only to the people who refuse to be relaxed in an anaesthetic way. The track ideally works as a jammer for thought pollution.