A text written for a publication Passengers from the Absolute to the Relative by Sanela Jahić. The artist deals with the boundaries and dynamics of contemporary painting practices in relation to her mechanical image-making machines. Passengers from the Absolute to the Relative was published on the occasion of Jahić’s first exhibition in the United States at Appendix Project Space in Portland, Oregon.
[authors of texts] Urška Jurman, Ida Hiršenfelder, Alen Ožbol
[number of pages] 92
[publisher, year] Publication Studio, Portland, Oregon, USA, 2011
Read the whole text at Sanela Jahić’s Page.